Zoë Wicomb employs various different uses of perspectives throughout “Disgrace.” The story focuses on three main characters with the narrator focusing on the perspectives of Grace and Fiona. However, Wicomb interestingly chose for the narrator to switch from third to first person narration a couple of times early in the story. After Fiona begins the story by asking Grace for her secret, the narrator explains Grace’s thoughts from the third person, “Grace stares at her blankly” before strangely changing to the first person, “But I don’t have secrets anymore.” The same sort of perspective change happens just a few paragraphs later. After Grace realizes that Fiona was asking about her secret to her youthful look, the narrator explains, “Grace knows it’s flattery” before switching, “No, you must just keep busy, that’s what I say, that’s what keeps you young.” Perhaps the narrator is not actually changing perspectives, rather just telling over the thoughts of the character without explicitly mentioning it as such. This would perhaps fit with Wicomb’s choice to not include quotes around dialogue sections, as the story begins, “So Grace, what’s your secret? asks Fiona.”


Hi Daniel, thank you for your great response. I also thought the switch from 3rd person to 1st person was interesting. It confused me a bit when reading the text, but I think it made the nuance of the story very powerful. I think it enhances how Grace observes and analyzes the lives of Fiona and Ms. Haskins. I also find it interesting how Wicomb switches between calling Fiona by her first name, “Fiona”, or by her last name as, “Miss McAllister”. I wonder why she chooses to alternate between the two. I think maybe it is to add to the aspect of a flow of thoughts, hence the reason she may not use quotations; Or to dilute the importance of a name, similar to the idea in the Black Psychiatrist.